Our Watchmaking

 

The ability to track time stretches back thousands of years. Traditions of watchmaking and precise timekeeping reaches back hundreds of years. Our part of that story started in 2012. The tradition of timekeeping that has always been used to serve other needs — agriculture, navigation, train travel, industry, scientific advancement, etc. — now serves as the heartbeat of our brand. Time is how we express our vision of American design and quality manufacturing.

GREG VERRAS

Design Director — Watches


DESIGN

Sketches of the Mechanic

In Chuck Closes' words, “Inspiration is for amateurs. The rest of us just get to work.” We show up everyday and work, whether or not we’re in the perfect mountaintop flow state. However, over the course of a project you would hope that you have some moments of real inspiration - a spark - when the dots of the story suddenly connect and align perfectly with the purpose of the watch, the color palette harmonizes, you solve a geometric surfacing puzzle while 3D modeling, build a relationship for a collaboration, or discover a new a promising material. These are the bursts of creativity that help you arrive at something worth making. Here are some of the tools we use to create that spark. 

STORY BUILDING

First, we like to build a world. What time period does the story happen in? Who are the main characters? What colors can you see? What materials resonate in this world? Who’s it all for? This world will change and evolve as the project does, hopefully converging towards a simple, clear message at the end of the project.

Moodboard for The Mackinac Yacht Timer Watch

SKETCHING

We start designing in the most analog way possible, pen and paper. The simplest of tools impose the fewest limitations. Any idea can quickly come to life and be shown and be shared. Some designers will fully flush out a project at this stage, others will only develop an inkling of an idea before moving on to more modern, digital tools.

 

2D CAD

Digital tools are great for precision and rapid iteration. Complex dial designs, for instance, are nearly impossible without them. You can also develop line drawings of the case, bracelet and strap. Front and side views will give you a sense of volume, despite the 2D nature. Although it’s a design tool, you are also beginning to speak the clear, defined language of manufacturing. Engineers can use some of these lines to make technical drawings and tooling, so it’s important to be careful and precise at this stage. 

Technical Drawings

3D CAD

Everything we make is custom. Designers have to define every surface and angle of every component of the watch case, dial, and bracelet - and make sure it all fits together. 3D modeling tools give us a way to digitally sculpt these parts; adding and removing digital material, similar to how you would in a machine shop, helps us to conceive of something beautiful and manufacturable.

 

COLOR, MATERIAL, FINISH

Color is emotional. Color can convey information. Color can hide or enhance design elements, and it can make or break a design. In tandem with color, surface finish also needs to be considered. A matte surface says something very different than a polished surface. A texture can tell a story better than words. Material selection is also important. A dive watch in bronze, or a racing watch in titanium are material choices that enhance the function of the watch - while some materials like mother of pearl or a natural grain leather, can enhance beauty and style.

 

PROTOTYPING

Using in-house tools, we can rapid prototype overnight to help us iterate towards the perfect shape and size of a watch case. Paper dials and straps can be allied to get a close approximation of the overall proportion of a watch. You eventually move on to prototyping with the factory. As the factory makes the first sample they learn how to manufacture the parts, and the designer gets a 1:1 working prototype in the end.

Digital Sketch


ARTISANS

Leather Artisan — Renee Lancaster

Our watches and straps are made by artisans, who have mastered the skills of watch assembly, movement building, precise testing, and fine finishing. We celebrate the essential role of these artisans, their care, and time-earned knowledge — after all, they bring watches of unparalleled quality to life. 

With meticulous attention to detail and commitment to craftsmanship, our artisans complete each timepiece with a touch that machines alone cannot replicate. They take pride in ensuring that each watch exceeds the quality standards we live and breathe by.


FACTORY

Watch Artisan — Tiara Tucker

Some spaces just feel special. When you walk through the pressurized doors and into the only large-scale watch assembly operation in the United States, you immediately feel it. Wearing the “crocks, smocks, and finger cots” of a watchmaker, or the careful ensemble that allows one to meticulously craft and inspect each watch, you know you’re making something special. Every watch we’re ever produced, a million and counting, has arrived here as mere parts and exited as timepieces. 

Each watch is carefully calibrated and thoroughly tested. Although we aim for meaningful scale, we treat each watch as an individual, as represented by the unique serial number on every caseback. It represents the care we take with every watch and the unique story that will unfold once they find a home.


MOVEMENTS

Argonite 1069 Movement

QUARTZ MOVEMENT

There is something magic about running an electrical current through a tiny quartz crystal. The current causes it to vibrate at a dependable frequency, which can then be used to tell a motor when to move the second hand forward at incredible accuracy. We assemble every quartz movement in our Detroit factory from Swiss and imported parts, giving it a unique origin story. You may have noticed the word Argonite on our watch dials. 

We use this to signify any movement that was completely assembled and tested in our factory, which is housed in the Argonaut Building in Detroit, designed by Albert Kahn and former home to General Motors [engineering and design departments.] The number that follows is the model number (e.g. Argonite-1069) in use by Ronda, our partner and Swiss movement supplier.

OUR SPECIFIC QUARTZ MOVEMENTS

ARGONITE 1069
The movement that built Shinola. Central hour and minutes, and the iconic sub-second in the lower half of the dial give our flagship model, The Runwell, its distinctly old school charm.

ARGONITE 515.24D
This is a GMT movement, meaning it can run an extra 24 hour hand, but we set it up to run a disk under the dial that creates a fun sun/moon animation as the day goes by.

ARGONITE 775, 715, 705
Hours, minutes, second and a date feature. Some people won’t buy a watch without a date complication. This movement is for those people.

ARGONITE 5021
The first chronograph we built in Detroit. It has all of the essential elements of a classic, easy to use chronograph.

ARGONITE 703, 753, 773
Hour, minute, seconds and no date. For some design purists, removing the date is a feature, not a bug.

ARGONITE 5040.D
This family of chronographs adds a third sub-eye at the 6 hour position for timing things down to a tenth of a second.

ARGONITE 772
The elegance of just two hands, hours and minutes only, often used on watches that blur the line of timepiece and jewelry.

ARGONITE 5040.F
The most complex movement we build, which adds complications including month, day, and date.

ARGONITE 708
This is our moon phase movement. A disk under the dial spins once every 29.5 days, in unison with the moon’s revolution around the earth.

ARGONITE 5050 
Adds a big date feature and the ability to time events lasting up to 12 hours.

Sellita SW200-1 Movement

MECHANICAL MOVEMENT

There aren’t many products still in mass production that have 100s of years of historical innovation. When looking at our watches, you witness that history combined with modern, precision manufacturing. What you see through the open caseback is there to do a certain job - the pallet fork, the balance wheel, the winding rotor and so many others. Our mechanical movements come from Switzerland and are made to be accurate, repairable, beautiful and fall into one of two categories: Automatic and Manual Wind.

Automatic movements can wind themselves using the kinetic energy of your everyday motions, which is transferred into a spinning rotor so that it can be stored in a tightly wound spring. This spring then powers the watch - no battery required. Manual wind watches gently ask you to wind them up, creating a more direct experience between you and your watch. Instead of a rotor, the energy is input through the intentional turning of the crown every one or two days.

OUR SPECIFIC MECHANICAL MOVEMENTS

SELLITA SW200-1
The three hand and date automatic movement that powers our Monster Series is the foundation of our mechanic watch collection.

SELLITA SW210-1
This is a manual wind version of the SW200. The ability to wind up the watch and quickly set the time is a joy - whether it’s your everyday watch or part of a rotation.

SELLITA SW260-1
A small second variant of the SW200. An iconic design element of our flagship watch, the Runwell, is the sub-eye at the 6 hour position, and one we needed to replicate when moving from the quartz design, to an automatic.

SELLITA SW330-2 
With a higher-power reserve and thinner design, The SW300 series design is a mechanical upgrade over the SW200 series. The SW360 variant adds a 24 hour hand, and the ability to track a second time zone. Commonly known as a GMT.

SELLITA 510 BH
As a Detroit-based brand, we knew we would someday design a tachymeter based race watch (kind of like having a speedometer on your wrist). It’s the first automatic chronograph we developed, but not the last.

SELLITA 511 BHC
Our second automatic chronograph introduction: a rare design with a single 15 minute counter in the 3 o’clock position, balanced with the date window in the 9 o’clock position. This unique layout drives the yacht timer functionality in the Mackinac.

SELLITA 510 MB
All of our efforts in mechanical watchmaking lead us to this next step. Our first manual wind chronograph. Chosen to celebrate the Apollo moon missions. Manual wind because it fits the era, but also affords less weight, a thinner build, and fewer moving parts for increased reliability.


MATERIALS

Bronze Monster GMT Case with Window Caseback

CASE MATERIALS

In watchmaking, the case material is the cornerstone of both style and durability. Stainless steel, like 316L, is prized for its robustness and resistance to corrosion, capable of a polished finish that endures and can be revitalized over time. Titanium offers strength with a featherweight feel, ideal for sporty timepieces. 

Ceramic provides unmatched scratch resistance in vibrant colors, while Bronze develops a distinctive patina, recounting its wearer's journey. Each material choice speaks volumes about the watch's essence and the wearer's taste. Here are some of ours:

STAINLESS STEEL
Highly durable and corrosion resistant - and in the hands of a skilled craftsman, able to take a mirror polish or beautiful satin brushing. The beauty of a polished stainless steel watch case is that after a 5 or 6 years or hard use, you can send it back to us and we’ll re-polish it for you.

STAINLESS STEEL w/ PVD
Physical Vapor Deposition is a high end form of metal plating found on our gold, gunmetal and black plated watches. It not only enhances the look, but also gives the watch a harder surface finish.

TITANIUM
With a much higher strength to weight ratio than stainless steel, Titanium is the perfect sport watch case material. We typically pair this metal with our heavier movements like chronographs or automatics, which results in a perfect balance on the wrist. 

CERAMIC
With a harder surface than any metal case, it’s virtually impossible to scratch. It looks equally beautiful in matte or with a mirror polish, and comes in a variety of colors that you just can’t get in a metal case.

BRONZE

Bronze is a great material choice for dive watches - resistant to corrosion and even forms a protective patina over time, which will develop uniquely to the way you wear your watch.


WATCHBANDS

Leather Artisans Meticulously Sew a Leather Watchband

Designers spec each leather so that it pairs perfectly with the watch head, but that’s the easiest part. Leather cow hides enter our factory from the best tanneries in the US and the world, and leave as finished, premium watch bands. You may be surprised at how much detailed work goes into the making of a single leather watch band. 

Sourcing, inspecting, and cutting of the hides; skiving, layering, stamping, gluing; Hand and machine stitching; edge painting and final assembly. We take great care with each of these tasks so that the only thing you notice is how well it wears and how beautifully it ages.


DIALS

Adding Hands to a Dial One Precise Turn at a Time

Some people in the industry believe the only thing that really matters is a great dial.. It’s the first thing you notice. To make a good first impression, we have a wide variety of materials and techniques to make the dial “sing!” 

With only a couple of millimeters of depth to work with, you have to use every trick in the book to get there. Here are some of ours:

MATTE VELVET
What looks simple is a complex process we developed with our factories to give the dial deep color saturation, and a smooth finish so that the rich glossy pad printing of the indexes could really pop.

SUNRAY 
A radially-brushed metal surface is what gives sunray dials their distinctive reflections of light that dance around the dial with the slightest motion of the wrist. We add a little sandblasting to ours to tone those reflections down ever so slightly.

GLOSS ENAMEL
We use this term to denote a laborious painting process that mimics the old porcelain enamel dials of pocket watches. The result is a high polish gloss-finish with noticeable depth. Used when we really want to push the richness of a watch up a few notches.

PAD PRINTING
Several layers of paint are pad printed to achieve a rich, dimensional look in any color you can imagine. Used on almost all watch dials, but on some we exclusively use printing, and those ones, when done right, have that rich but understated look we’ve come to love and be known for. Looking at you Runwell.

PETOSKEY STONE
Everyone who’s spent any time on the shores of the Great Lakes has gone Petoskey stone hunting. It’s an ancient coral fossil with a distinctive pattern, nostalgic for many people of the Great Lakes region. We discovered in 2017 that it slices and polishes beautifully - necessary attributes for any stone used on watch dials.

APPLIED INDEXES
When you want to swing for the fences as a watch designer, you use applied indexes — tiny, individually-machined objects that get inserted onto the dial with two tiny posts and then attached to the back to ensure durability. They give you great dimension and outstanding light reflections.

MOTHER OF PEARL
A natural material of the sea, and perfect for slicing thin and applying to watch dials. You know a material is great when you see people holding their watch at all different angles to see how the light catches. Each dial is unique and as timeless as it gets.

LUME
Speaking of lume (the glowing stuff on a watch), we use the best in the business, SuperLuminova from Tritec. Many of our dials feature 4 layers of lume to enhance the brightness and glow. This printable material can essentially catch electrons and release them back slowly over time so that your watch glows in any low light situation.


FINAL REFLECTIONS

Each of these elements — the artisans, the design, the materials, the finishes, the aesthetics, the processes, the time, and ultimately the hands and minds of our people — combines into a sum far greater than its parts: the finished products we make. 

We use these products as vehicles to express our love of quality manufacturing and our vision of American design: approachable, casual, durable, and timeless. 

BAILEY MATTACOLA
Chief Operating Officer — Shinola

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